Titlebook: Living Labs; Design and Assessmen David V. Keyson,Olivia Guerra-Santin,Dan Lockton Book 2017 Springer International Publishing Switzerland

crockery

Tailor

The Storyline for the Design Process that Shaped the HSB Living Lab of social and technical knowledge within the emerging partnership, which was structured around six defined focus fields. It also describes how a unique participation within Chalmers, focused on linking research in space, added to the inspiration. The outcome is that once built, HSB Living Lab is bo

Tidious

paroxysm

In-Situ and Mixed-Design Interventionsis a dynamic process that acknowledges the complexity of practices in the adoption of technologies. It involves adaptation of the technology and its intended use as well as the practices that are affected by it. In Living Lab settings the innovation process is user-centric, meaning that is driven by

伸展

Co-creation in Living Labsence and society, the latter being a form of transdisciplinary social learning. In a Living Lab the representatives from business, society and academia, as well as citizens, have different value perceptions and propositions, providing heterogeneity across the stakeholder value spectrum. This provide

Density

Participatory Drawing in Ethnographic Research people’s notions of energy and to visualise their ideas and associations relating to it. The study is framed within the context of the broader ethnographic research tools that were employed by the SusLabNWE consortium. The study was conducted in three phases with visitors to the Helen Hamlyn Centre

有特色

Actor and Network Analysisfluence of a household’s peer group in terms of norms and status, a mixed-methods social network analysis was conducted in the City of Bottrop, Germany. In order to analyse a household’s embeddedness in social networks, interviews were conducted with around 23 households. Personal relations (friends

孤獨(dú)無(wú)助

衰老

JOT

Arjan van Timmeren,David V. Keysonusgangspunkt des vorliegenden Bandes ist der einzigartige historische Moment des Anarchismus in den ersten Jahrzehnten des 20. Jahrhunderts in Bezug nicht nur auf seine politische, sondern vor allem auf seine kulturelle Bedeutung. Anarchismus wurde zum kreativ-zerst?rerischen Prinzip der avantgardis