Titlebook: Literature, Identity and the English Channel; Narrow Seas Expanded Dominic Rainsford Book 2002 Palgrave Macmillan, a division of Macmillan

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Proponent

Modernity in Transit, aspects of European life. Travel back and forth between Britain and France became a mass activity. In 1925, with the attraction of major exhibitions in both London and Paris, the annual total of travellers passing through the ports of Calais and Boulogne exceeded one million for the first time. Cle

Moderate

Conclusion: In Between,ar, to start with, that the Channel has been significant in both literatures. It is clear also that the status of the Channel differs considerably according to the side from which it is viewed. Also, communication between French views and English ones is sporadic. The French texts that have had most

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Les Fleurs du mal de mer,motivation was often artistic: France was held to be closer to the centre of inspiration, especially in the visual arts, than anywhere in Britain. In the case of French writers visiting Britain, the motivation was often more practical, but still a matter of culture.

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MAL

燕麥

Introduction,rd in this language, since the eighteenth century, for this particular water-filled incision in the surface of the globe.1 From now on, I shall usually refer simply to ‘the Channel’ – a term that is meant to be neutral in its geopolitical implications. My aim, in fact, is to pay as much attention to la Manche as to its English-language equivalent.

OVER

Book 2002he Channel as a focus for cultural comment, comparing their approaches to those of earlier writers, from Charlotte Smith and Chateaubriand through Hugo and Dickens to historians and travel writers of the 1950s and 1980s.

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who use the Channel as a focus for cultural comment, comparing their approaches to those of earlier writers, from Charlotte Smith and Chateaubriand through Hugo and Dickens to historians and travel writers of the 1950s and 1980s.978-1-4039-1928-1

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Book 2002 debates in progress about the actual and desired relationships between Britain and mainland Europe. The book addresses contemporary authors who use the Channel as a focus for cultural comment, comparing their approaches to those of earlier writers, from Charlotte Smith and Chateaubriand through Hug