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Titlebook: Literature and its Language; Philosophical Aspect Garry L. Hagberg Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusi

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發(fā)表于 2025-3-21 16:07:38 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Literature and its Language
副標(biāo)題Philosophical Aspect
編輯Garry L. Hagberg
視頻videohttp://file.papertrans.cn/588/587253/587253.mp4
概述Investigates the relationship between the philosophy of language and the language of literature.Uses insights from the philosophy of language to explore literary meaning.Employs literary cases to enri
圖書封面Titlebook: Literature and its Language; Philosophical Aspect Garry L. Hagberg Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusi
描述This stimulating volume brings together an international team of emerging, mid-career, and senior scholars to investigate the relations between philosophical approaches to language and the language of literature. It has proven easy for philosophers of language to leave literary language to one side, just as it has proven easy for literary scholars to discuss questions of meaning separately from relevant issues in the philosophy of language. This volume brings the two together in mutually enlightening ways: considerations of literary meaning are deepened by adding philosophical approaches, just as philosophical issues are enriched by bringing them into contact or interweaving them with literary cases in all their subtlety.
出版日期Book 2022
關(guān)鍵詞Language; Literature; Wittgenstein; Samuel Beckett; Meaning
版次1
doihttps://doi.org/10.1007/978-3-031-12330-6
isbn_softcover978-3-031-12332-0
isbn_ebook978-3-031-12330-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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978-3-031-12332-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Flann O’Brien, Wittgenstein, and the Idling of Languageerating in quite different generic and discursive modes, both writers reject broad metaphysical systems, idealized models of language, skepticism, and the impulse to theorize. As correctives to these tendencies, O’Brien and Wittgenstein adopt similar techniques to train their readers’ attention on t
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The Poetics of the Unpoetic: Literature, Ordinariness, and Raymond Carver’s Minimalist Realismompatible varieties or registers of language: the ordinary language of everyday communication with a low level of literariness and the special use of language that Wittgenstein calls “idling” and that emerges once we stop utilizing language routinely as a tool of our daily interaction, become consci
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Bunbury Could Not Live, That Is What I Mean: Austin’s Performative Speech and Truth in the Case of Otruded through a narrow set of poststructuralist concerns for language as a form of constraint, where uncertainty affords liberation. This narrow picture excludes much of the value of the theory first envisioned by J.L. Austin. I argue for a more faithfully Austinian approach to Wilde, and I show ho
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Contending with the Storm: Lear’s Performativesstorm to happen, the vast majority of productions understandably cast doubt on Lear’s power to do so by having the storm already raging before he begins speaking: he merely calls for what already exists. What, then, is the status and function of speech acts which very palpably do nothing, and which
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