Titlebook: Literature and Film, Dispositioned; Thought, Location, W Alice Gavin Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limit

能干

書(shū)目名稱(chēng)Literature and Film, Dispositioned影響因子(影響力)




書(shū)目名稱(chēng)Literature and Film, Dispositioned影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Literature and Film, Dispositioned網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Literature and Film, Dispositioned網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Literature and Film, Dispositioned被引頻次




書(shū)目名稱(chēng)Literature and Film, Dispositioned被引頻次學(xué)科排名




書(shū)目名稱(chēng)Literature and Film, Dispositioned年度引用




書(shū)目名稱(chēng)Literature and Film, Dispositioned年度引用學(xué)科排名




書(shū)目名稱(chēng)Literature and Film, Dispositioned讀者反饋




書(shū)目名稱(chēng)Literature and Film, Dispositioned讀者反饋學(xué)科排名

LEERY

Alice Gavinn Ende der siebziger und achtziger Jahre in Deutschland ist die sogenannte Normalbiographie des (normalen) übergangs von der Schule zur Berufsausbildung und in berufliche Besch?ftigung für Jugendliche brüchig, ungewi? und riskant geworden. Das hat Folgen für die Lebenslagen und Orientierungen der vo

打火石

egies between security and experimental life forms. Obviously previous youth research was stuck to the socalled ‘normal life course’ presupposing the individual solution of these tasks in the youth stage. In order not to hide the ongoing changes and challenges of social integration and social exclus

皮薩

abolish

Intermedium,olly Corner’, Spencer Brydon becomes preoccupied by the thought of who he would have been had he remained in New York City instead of moving to Europe. The thought that he might have started ‘some new variety of awful architectural hare and run it till it burrowed in a gold mine’ sounds in his head

ADOPT

Intramedium,o . that can imagine itself [.] to be an inexpressible value.’. The . of which Cavarero speaks need not be located in a particular text. Instead, ‘The strange possibility of leaving the text out of consideration means simply that it is not necessary for us to know the other’s story, in order to know

細(xì)微的差異

Semblance

Literature,ithout doubt, the whereabouts of literary beings are never simply geographical. Location is also a case of locution. For a literary being, language is their whole world. Whenever such a creature wonders where in their world they are, whether or not their question is throwaway, their question is a wo

貪婪性

短程旅游

Intramedium,ject’, a love Cavarero also associates with modernity’s ‘loss of the world.’. Against this interiorized being Cavarero puts forth a ‘narratable’ but not necessarily narrated self, a self she aligns with . as opposed to what we are, with the desire to hear one’s story over and above that story’s cont