Titlebook: Literary Half-Lives; Doris Lessing, Clanc Roberta Rubenstein Book 2014 Roberta Rubenstein 2014 biography.composing.ethics.novel.play.rose.t

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terazosin

他去就結(jié)束

Plays and Power Plays,arkness transmogrifies into a tiger. Threatened, she feels as if she is “inside a cage into which the animal could leap when it wished. I was ill with the smell of dead flesh, the reek of the tiger[,] and with fear” (. 574). On the one hand, she fears the animal and is alarmed when it attacks her di

考古學(xué)

贊美者

FLOUR

Life in the Interior Zone,to explain why, in her words, “I don’t want to see you just now” (5, postmarked June 23, 1959). She emphasized various points of contention: first, that she could tolerate almost anything except for his dishonesty about his liaisons with other women; second, that she had willingly served as his moth

庇護(hù)

condescend

Variations on a Theme,nother romantic relationship with uncanny parallels to theirs unfolded between a European woman writer in her late thirties and a Leftist Jewish writer from Chicago. The relationship lasted for four years, its “half-life” for many years afterward. Soon after the actual relationship ended, the female

cortisol

Of Parent and Child,to the genre of autobiography, this time not to mine the details of their intimate relationship with each other or with any other living person but to compose memoirs of their deceased parents and, in the process, to give literary form to key elements of their own literal and literary origins and fo