Titlebook: Literary Aesthetics of Trauma; Virginia Woolf and J Reina C. Wiel Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited

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the way that trauma is aesthetically expressed. Modernism‘s emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.978-1-349-45682-6978-1-137-31101-6

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,‘The Most Difficult Abstract Piece of Writing’: ‘Time Passes’ as Container,With Bradbury and McFarlane, moreover, I perceive the ‘formal crisis’ of high modernism, its experimentalism, as ‘a crisis of culture’ which ‘often involves an unhappy view of history’ (1976: 26).. The modernist author is not merely experimenting with narrative for the sake of aesthetics, but is ‘under specific, apparently historical strain’:

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,Woolf’s Embodied Cognitive Aesthetics: ,ory through its concern with the intricate correlation between perception, cognition and intuition within subjective experience. The future novel, Woolf stipulates, ought to ‘[extend] the scope […] so as to dramatise some of those influences which play so large a part in life, yet have so far escaped the novelist’:

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Reina C. van der Wielia, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history..978-3-030-17814-7978-3-030-17812-3Series ISSN 2635-2931 Series E-ISSN 2635-294X

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Reina C. van der Wielia, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history..978-3-030-17814-7978-3-030-17812-3Series ISSN 2635-2931 Series E-ISSN 2635-294X

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Introduction: Trauma, Psychoanalysis, Literary Form, past’ in a bid ‘to transform Freud’s distinctions between remembering, repeating and working[-through] […] into a model for cultural or political critique’ (2008: 213). Without losing sight of this influential trauma paradigm, . makes this attempt by refashioning Sigmund Freud’s famous dictum into