Titlebook: Liminal Fictions in Postmodern Culture; The Politics of Self Thomas Phillips Book 2015 Thomas Phillips 2015 cinema.culture.fiction.Narrativ

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braggadocio

PANEL

The Decline of the West,d whose modernity has yet to be fully realized. Despite the “movements [of the dancer] which move themselves” (Wakoski 1988, line 1) and the defamiliarized snake movement that scares her female spectators and yet “could be their own[,] / the smooth movement frightens them” (19–20), these awkwardly o

florid

,“A Warning to the Curious”,” (1986, 203). He or she is addressed, with considerable courtesy, by a narrator who proceeds to recount a third-party narrative that twice removes said reader from the story’s ghostly events. Through this direct appeal, one is invited to participate in what is perhaps James’s darkest effort, and ye

教育學(xué)

慢慢沖刷

Becoming-Liminal,ng indicative of a central quality of the more general becoming) and negligible in that one implies the other; they both presuppose the deterritorialization of what Deleuze and Guattari call a “molar” as opposed to a molecular “entity” (1987, 275). One shifts from a normative point into the space an

Type-1-Diabetes

,“Constant Craving Has Always Been”,to sculpt a narrative that touches the sublime in the confluence of its extreme violence and its depiction of our common implication in the characteristically rupturing and decentering forces of desire. As limited as language is in its capacity to represent the immediacy and power of lived experienc

aggravate

阻塞

laxative

Between the central coast line and the mountain chain of Truong Son, on the border to Laos and Cambodia, the country is sometimes as narrow as some 100 kilometers. Although Vietnam has large mountainous areas, the two delta regions of the Red River in the north and the Mekong in the south dominate.