Titlebook: Life Creative Mimesis of Emotion; From Sorrow to Elati Anna-Teresa Tymieniecka Book 2000 Springer Science+Business Media Dordrecht 2000 Fra

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Irina Vaylant to think historically and culturally around the subject of madness and the ways in which psychoanalysis, in particular, has dealt with altered states. I would like to show how historically contingent the notion of psychosis is. An ahistorical and acultural treatment of this subject matter is not

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Gary Backhausant to think historically and culturally around the subject of madness and the ways in which psychoanalysis, in particular, has dealt with altered states. I would like to show how historically contingent the notion of psychosis is. An ahistorical and acultural treatment of this subject matter is not

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Bernadette Prochaskaant to think historically and culturally around the subject of madness and the ways in which psychoanalysis, in particular, has dealt with altered states. I would like to show how historically contingent the notion of psychosis is. An ahistorical and acultural treatment of this subject matter is not

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Tragedy, Finitude, and the Value-Expressive Dimensionpositively . to experience the gut-wrenching feelings of grief and pain that we hope will be so intense as to move us to tears. A similar phenomenon also extends beyond drama to real life: We want to look at the picture of a deceased loved one so that we can grieve, to revisit the park where we spen

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