Titlebook: Lebenserinnerungen; Werner Siemens Book 1901Latest edition Springer-Verlag Berlin Heidelberg 1901 Energie.Energietechnik.Erinnerung.Erinne

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書目名稱Lebenserinnerungen影響因子(影響力)




書目名稱Lebenserinnerungen影響因子(影響力)學科排名




書目名稱Lebenserinnerungen網(wǎng)絡(luò)公開度




書目名稱Lebenserinnerungen網(wǎng)絡(luò)公開度學科排名




書目名稱Lebenserinnerungen被引頻次




書目名稱Lebenserinnerungen被引頻次學科排名




書目名稱Lebenserinnerungen年度引用




書目名稱Lebenserinnerungen年度引用學科排名




書目名稱Lebenserinnerungen讀者反饋




書目名稱Lebenserinnerungen讀者反饋學科排名

CANT

NUL

ODIUM

the audience are enlisted by what they see and hear on stage in order that they might be made to interpret for themselves. To quote the prologue of Christopher Marlowe’s ., such witnessing audiences are compelled to “view but his picture in this tragic glass,/And then applaud his fortunes as you pl

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https://doi.org/10.1007/978-3-662-36516-8Energie; Energietechnik; Erinnerung; Erinnerungen; Geschichte; Mitteleuropa; Technik; Wirtschaft; Wirtschaft

確定的事

978-3-662-35686-9Springer-Verlag Berlin Heidelberg 1901

協(xié)議

Overview: 978-3-662-35686-9978-3-662-36516-8

分貝

Radiculopathy

無孔

Werner von Siemensne no more”; Richard II’s improvised self-deposition. These instances—largely visual but in cooperation with dialogue—encourage audiences to change from spectators into witnesses. The audience witnesses in a basic sense any time they see a play. They are “present” as a spectator or auditor, seeing a