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Titlebook: Learn to Tango with D; Kris Macleod Bell,Lars Ivar Igesund,Michael Parker Book 2007 Kris Bell and Lars Ivar Igesund and Sean Kelly and Eri

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樓主: lexicographer
21#
發(fā)表于 2025-3-25 07:10:59 | 只看該作者
22#
發(fā)表于 2025-3-25 10:15:56 | 只看該作者
First Steps,very much at home with D, as it retains most of the constructs with which many programmers are already comfortable. At the same time, D is different in ways both subtle and striking, successfully combining a number of programming styles while managing to retain a succinct and reasonably simple grammar.
23#
發(fā)表于 2025-3-25 12:48:48 | 只看該作者
24#
發(fā)表于 2025-3-25 16:03:11 | 只看該作者
978-1-59059-960-0Kris Bell and Lars Ivar Igesund and Sean Kelly and Erik Parker 2007
25#
發(fā)表于 2025-3-25 20:06:12 | 只看該作者
26#
發(fā)表于 2025-3-26 03:23:24 | 只看該作者
First Steps,very much at home with D, as it retains most of the constructs with which many programmers are already comfortable. At the same time, D is different in ways both subtle and striking, successfully combining a number of programming styles while managing to retain a succinct and reasonably simple gramm
27#
發(fā)表于 2025-3-26 05:00:53 | 只看該作者
D Fundamentals,other. Something similar might be said of programming languages that belong to the C family. They all share certain features of C, but beyond that, they have several differences. For the most part, the differences are to be found in expanded features, such as inherent support for object-oriented or
28#
發(fā)表于 2025-3-26 11:42:46 | 只看該作者
,D’s Object-Oriented Features,includes support for both classes and structs, but the rules that govern their usage may not be what you are used to from other C languages. For example, D structs are similar to those found in C++ in that they may have methods, but unlike C++ structs, they may not be extended through inheritance. C
29#
發(fā)表于 2025-3-26 16:30:59 | 只看該作者
30#
發(fā)表于 2025-3-26 18:54:20 | 只看該作者
lds.Analyses how death and the Beyond find contemporary exprThis volume explores current images of afterlife/afterdeath and the presence of the dead in the imaginations of the living in Indian and European traditions. Specifically, it focuses on the deepest and most fundamental uncertainty of human
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