Titlebook: Lawrence Durrell: The Mindscape; Richard Pine Book 1994 Richard Pine 1994 chronology.mind.miracle.novel.singular

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inferno

‘Une vie artistique’r N?mes, in Proven?al France, on 7 November 1990. Apart from several years spent in England in childhood and adolescence he lived primarily in the Mediterranean region, visiting England rarely, and seldom for longer than a few weeks on each occasion. His unusual odyssey became a quest for a lost hom

警告

‘Quests, Confessions and Puzzles’cardinal elements he saw an opportunity for exchange between himself and others, between himself and the world: the need to find and the need to be found; the need to confess, to explain, having its counterpart in the idea of trading, of giving and receiving confidences, intimacies of the mind; and

commute

The Child and the Houseewarded by the backward glance. Shaw called it ‘the wickedest of all the centuries’;. Marx has been invoked as saying that its dead tradition ‘weighs like a nightmare on the brains of the living’.. The onus of modernism has been to construe the nightmare of that wickedness, looking, like Janus, back

ostensible

‘Islomania’iterature he found boring and stagnant. In his physical life he made this departure by means of voluntary exile, the relocation in Corfu where, as he put it in .’., ‘Greece offers you … the discovery of yourself’ (. 11). On the intellectual plane he withdrew into himself in order to evaluate his str

Conduit

時代

An ‘Ionian Quartet’ed in his ‘island portraits’, these novels make private fictions, isolating the proto-agonists in their own uncertain misery. At one point he complained that the weakness of his poetry was that it had been addressed to himself.. The first . was similarly inward-looking, pursuing the question ‘Who am

painkillers

The City as Fielduation , which can be so effectively expressed in poetry, submits to the mapping exercise of prose, it becomes more proximate, guesswork. Anyone can love in pasture; the principles established in the isolation of the Heraldic Universe become recast in the light of city experience: the ‘

Impugn

Anhydrous

The City as Court of Lovevy of Pursewarden, my passion for Justine, my pity for Melissa’ (. 221). Each sets him upon a course of reconnoitre, a mapping of the inner and outer skins of love, and provides him with a means of overcoming the problems that overspill the net of metaphor. Each proves Proust’s notions that love is