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Titlebook: Latin America at Fin-de-Siècle Universal Exhibitions; Modern Cultures of V Alejandra Uslenghi Book 2016 The Editor(s) (if applicable) and T

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發(fā)表于 2025-3-25 06:08:06 | 只看該作者
Alejandra Uslenghithe Hungarian society and political leaders. This perception justifies ‘symbolic policies’ aimed at reinforcing the link with the diaspora, as was made clear as early as 1989 when the Hungarian Constitution was amended to include the following statement of support: ‘The Republic of Hungary bears a s
22#
發(fā)表于 2025-3-25 08:30:25 | 只看該作者
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發(fā)表于 2025-3-25 11:45:13 | 只看該作者
Latin America at Fin-de-Siècle Universal ExhibitionsModern Cultures of V
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發(fā)表于 2025-3-25 17:57:30 | 只看該作者
Book 2016overseas and back, Uslenghi illuminates the contested, political, and transformative relations that emerged as images and material culture travelled from sites of production to those of exhibition, exchange, and consumption.
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發(fā)表于 2025-3-25 23:30:15 | 只看該作者
1554-4028 ineraries overseas and back, Uslenghi illuminates the contested, political, and transformative relations that emerged as images and material culture travelled from sites of production to those of exhibition, exchange, and consumption.978-1-137-55396-6Series ISSN 1554-4028 Series E-ISSN 2634-520X
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發(fā)表于 2025-3-26 02:18:55 | 只看該作者
Introduction,actions of the 1900 Paris Universal Exhibition—the .. This Palace of Illusions was a vast, hexagonal hall whose walls were lined with oversize mirrors manufactured by Saint-Gobain, the company that had also provided the glass panels for the 1851 London Crystal Palace, the site of the first world’s fair.
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發(fā)表于 2025-3-26 05:56:40 | 只看該作者
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發(fā)表于 2025-3-26 09:48:49 | 只看該作者
1554-4028 il, and Mexico forged the image of a modernizing Latin America at the moment of their insertion into the new visual economy of capitalism, as well as how?their modern writers experienced and narrated these events by introducing new literary forms and modernizing literary language. Following these it
29#
發(fā)表于 2025-3-26 15:26:46 | 只看該作者
,Cosmopolitan Itineraries: Modernity’s Spectacle at the Paris 1900 Universal Exposition,s uniformly dressed for a day of leisurely walk; a city landscape traversed by new technological means of transport that intersperse with stage coaches; a series of Haussmann-type apartment buildings aligned in the background; a street lamp in the forefront.
30#
發(fā)表于 2025-3-26 19:52:05 | 只看該作者
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