Titlebook: Language and Narration in Céline’s Writings; The Challenge of Dis Ian Noble Book 1987 Ian Noble 1987 death.emotion.English.fiction.French.G

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The Pamphlets,the attacks on the Jews in . (1937), . (1938) and . (1941) disqualified Céline for all time from being worthy of consideration even as a novelist. For other critics, to some of whom I shall return in the following pages, it has been necessary to belittle the painful specificity of the Jew as the obj

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Conclusions,he themes of the pamphlets and allusions to their effects, the subject which inspired Céline to hundreds of pages of polemical pamphleteering clearly had no central role to play in any of his novels. The weight and guilt of recent history would certainly have made it difficult to write or publish an

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The Pamphlets,on of these works possible at all. It is only recently that critics have begun to transcend a state of affairs in which, as one of them put it, ‘it is customary nowadays to separate the good Céline (who wrote the novels) from the bad Céline (who wrote the pamphlets) and to apply oneself to making up selected extracts of his work’.

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Contexts,y little known, especially outside France, although those with their ears attuned to French literary criticism will have heard that he was a great stylistic innovator who made highly original use of the French language.

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