Titlebook: Landscapes of Leisure; Space, Place and Ide Sean Gammon (Senior Lecturer),Sam Elkington (Senio Book 2015 The Editor(s) (if applicable) and

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Deborah Jepsont als München, und dass Cottbus sich anders anfühlt als Leipzig, in der menschlichen Alltagserfahrung tief verankert. Doch warum ist dies so? Warum wird nicht nur ?die Stadt“ gemeinhin als anders als ?das Land“, sondern warum werden auch St?dte als voneinander unterscheidbare und jeweils eigene sozi

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Reading Landscapes: Articulating a Non-Essentialist Representation of Space, Place and Identity in ike place, space and location, has many interpretations and meanings. The primary reason it was chosen was that it illustrated the breadth and variety that particularly space and place play in our experiences of leisure. Of course the problem with taking this viewpoint is that many definitions of la

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Disturbance and Complexity in Urban Places: The Everyday Aesthetics of Leisure,he recreation centre, theme parks, the public square. With the sinuous rhythms of people’s daily lives invariably shepparding them into, through and past increasingly urbanized environments, the construction of such spaces transforms previously continuous geographical locations into a series of flee

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Zombie Places? Pop Up Leisure and Re-Animated Urban Landscapes,leisure landscapes. In contrast to the Cineplex, pop up cinema has been described a ‘grassroots movement, where audiences get to participate and experience films communally in unique locations’ (Bennett, 2010, para. 1). The case study of pop up cinema is framed more broadly through theo-rizations of

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