Titlebook: Landscape and Literature 1830-1914; Nature, Text, Aura Roger Ebbatson Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limi

流出

無彈性

Prophetic Landscapes: Hardy and Jefferiesythic forces’.. The prophetic revelation of sacred texts is replaced, in the secularity of late-Victorian England, by the more limited non-doctrinal revelation of the literary text, and specifically by the idiomatic intensity of landscape evocation. In a context marked by the ‘disappearance of God‘,

overhaul

The Spiritual Geography of Edward Thomaser seeks a return to an appreciation of nature and the created world in which being ‘is that which rises up and opens itself — that which, ‘a(chǎn)s what is present, comes upon man’ (OBT, 68). In precisely this sense does the poetry of Edward Thomas, conceived in the shadow of the Great War, epitomise the

custody

有花

Roger Ebbatsonhtentscheidenden Ritterschaft hatte sich das Fu?volk wieder zu einer selbst?ndigen taktischen Formation entwickelt, die, in tiefgestaffelten Karrees formiert, nicht nur dem Sto? gepanzerter Reiter standzuhalten vermochte, sondern auch durch einen im Laufschritt vorgetragenen Angriff das gegnerische

裂隙

en zufolge eine ?Deindividuation“ der Akteure, die durch eine Schw?chung der rationalen und normativen Orientierung sowie durch die Bereitschaft ?auf extreme Weise und im Widerspruch zu Normen zu reagieren“ gekennzeichnet ist (Stroebe/Jonas/Hewstone 2002: 376). Bei Aronson, Wilson und Akert (2004: 2

抵押貸款

Traversing the South Country, 1850–1914newly urbanised sense of identity and onward movement. Edward Thomas, whose work takes the form of an elegy for the South Country, defined it as a place which ‘is all “carved out of the carver’s brain”, and has not a name’:

暴發(fā)戶

種類

: Swampy Decomposition and Female Individualism hide’ (FMC, 295). After giving way to a fitful sleep, at dawn she awakes to fuller consciousness of her surroundings, discovering that ‘the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi’. The general aspect of the swamp, the narrator notes, was ‘malignant’:

Commonplace