Titlebook: Lady Gregory and Irish National Theatre; Art, Drama, Politics Eglantina Remport Book 2018 The Editor(s) (if applicable) and The Author(s),

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,‘See a play as a picture’: The Pre-Raphaelite Brotherhood, the Sister Arts, and the Irish Plays,the moral nature of art were persistent, particularly in the writings of Ruskin. Remport situates Lady Gregory’s ideas on the staging of her plays in this context. She considers the influence on Lady Gregory of narrative painting that Ruskin admired for its didactic ends. Remport traces Gregory’s us

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Conclusion, deaths of her son Robert in Italy in January 1918 while serving as a fighter pilot, and that of her nephew Hugh Lane, who was on board the . when it was sunk by German submarines in 1915. Remport reflects on Lady Gregory’s struggle to secure Lane’s major art collection for a Dublin museum space. Sh

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Introduction,eland that Maria shared with her landlord father Richard Lovell Edgeworth. In so doing, Remport sets out the framework of artistic, social, political, and intellectual influences on Lady Gregory that are explored through the course of the book.

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Conclusion,e concludes with a moving account of the gradual loss of Coole Park because of financial pressures, and the effect that the violence in Ireland had on Lady Gregory’s idea of reconciliation from the 1916 Rising to the Irish Civil War of the 1920s.

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Book 2018amatist of the Abbey Theatre in Dublin. It elaborates on her distinctive vision of the social role of a National Theatre in Ireland, especially in relation to the various reform movements of her age: the Pre-Raphaelite Movement, the Co-operative Movement, and the Home Industries Movement. It illustr