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Titlebook: Lacanian Perspectives on Blade Runner 2049; Calum Neill Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license

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發(fā)表于 2025-3-21 16:05:32 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Lacanian Perspectives on Blade Runner 2049
編輯Calum Neill
視頻videohttp://file.papertrans.cn/581/580401/580401.mp4
概述Forms the vanguard of responses Denis Villeneuve’s ‘Blade Runner 2049’ from a Lacanian perspective.Includes essays from leading scholars in the field including: Slavoj Zizek Calum Neill, and Todd McGo
叢書(shū)名稱(chēng)The Palgrave Lacan Series
圖書(shū)封面Titlebook: Lacanian Perspectives on Blade Runner 2049; Calum Neill Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license
描述This book provides a collection of Lacanian responses to Denis Villeneuve’s .Blade Runner 2049. from leading theorists in the field.?.Like Ridley Scott’s original .Blade Runner .film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship.?.This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis..
出版日期Book 2021
關(guān)鍵詞psychoanalytic film theory; Lacan; posthuman; nonhuman; artificial intelligence; scientism; capitalism; sub
版次1
doihttps://doi.org/10.1007/978-3-030-56754-5
isbn_softcover978-3-030-56756-9
isbn_ebook978-3-030-56754-5Series ISSN 2946-4196 Series E-ISSN 2946-420X
issn_series 2946-4196
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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,“Before We Even Know What We Are, We Fear to Lose It”: The Missing Object of the Primal Scene,desire and, more fundamentally, his subjective structure. Arguing that K’s ultimate, and futile, quest is to grasp himself as the object cause of desire, the essay posits the film as a presentation of the inherent inauthenticity of masculinity, the fetishization of biology and genetics and the disavowed work of gestation.
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On the Uncanny Cut of the Capitalocene in ,rrow in the real, is unthinkable—it’s the cut that opens up, affording a view of what now you can hear better, the unexpected, the visit….—Lacan, 76.The uncanny is always at stake in ideology—ideology perhaps basically consists of a social attempt to integrate the uncanny, to make it bearable, to assign it a place.—Mladen Dolar, 19
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From Voight-Kampff to Baseline Test: By Way of an Introduction,ut some key conceptual shifts in emphasis between the two films and thus paves the way for the various essays to follow. Where the .-. test might be understood to foreground memory and the replicants’ gap in personal experience and connection, it also rests on a logic of anticipation which is absent
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