Titlebook: LGBT Transnational Identity and the Media; Christopher Pullen (Senior Lecturer in Media Studi Book 2012 Palgrave Macmillan, a division of

DAMN

Sub-Saharan African Sexualities, Transnational HIV/AIDS Educational Film and the Question of Queerne a cover story on South Africa’s HIV/AIDS pandemic, while Vehkalahti was soliciting ideas for documentaries. Filmmakers presented Vehkalahti with a number of ideas for films, but none about HIV, a virus that at the time afflicted over 10 per cent of South Africa’s population. This number would swell

headlong

動作謎

The Argentinean Movement for Same-Sex Marriagentry, it was result of many years of struggle by gay activists in Argentina and throughout Latin America, who fought for the right to legitimatize gay activist organizations (Brown 2002; Corrales and Pecheny 2010). It was necessary to battle police brutality (Brown 2002), illuminating the violence a

吊胃口

The Politics of Reclaiming Identity: Representing the , in ,ot only because its members are constantly viewed as freakish and aberrant by the larger society, but because they are deemed criminal in the eyes of the country’s twin legal systems — that is, the civil law inherited from colonialism, and the Syaria law of Islam — and are thus constantly subjected

非秘密

Queer (Im)possibilities: Alaa Al-Aswany’s and Wahid Hamed’s ,al sex scenes be cut out”; scenes which depicted homosexuality were deemed “immoral” and could “damage the country’s image” (Cole 2009). Egypt, as a nation, was to reinforce its appearance as heterosexual. The parliament then selected a committee of film reviewers to decide which scenes would potent

electrolyte

Andrew Salkey, James Baldwin and the Case of the “Leading Aberrant”: Early Gay Narratives in the Briccount in the novel . (1969) of a failed attempt to broadcast a gay narrative on radio in the early 1960s. Like its author, this curious scene raises more questions than it answers, gesturing towards what is not known or, perhaps more accurately, what has been lost from early gay histories of the me

Negotiate

The Exotic Erotic: Queer Representations in the Context of Postcolonial Ethnicity on British TVg. As a complex and sensitive political and religious issue this is a very recent occurrence that is most notable for its rarity. With non-Western religions and culture in general often frowning upon homosexuality, coupled with the Western perception of their intolerance and rejection of queerness,

Esalate

Documenting the Queer Indian: The Question of Queer Identification in , and ,don and more. Parmar was a part of a thriving community of queer video artists that included John Greyson, Marlon Riggs and others, who defined a generation of moving-image production in the queer community. In the years after the film’s 2006 completion, Ashish Sawhny sent his film, ., on a similar

GULLY

Screening Queer India in Pratibha Parmar’s , Indians. Through the layering of queer Indian voices and imagery of India, past and present, she “captures the intricacies of being queer and of color” (Schaub et al. 1998, p. 241). In a country where upwards of 80 per cent of the population does not speak or understand English (Khan 2001) the use

antidote

Gay Pornography as Latin American Queer Historiography more visibility in both audiovisual media and cinema of issues of male same-sex desire. Latin America has not excluded itself from this increase of male-to-male, same-sex representation in media and cinema. In the last ten years a significant number of films and television programmes, especially so