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Titlebook: Knowledge Intensive CAD; Volume 2 Proceedings Martti M?ntyl?,Susan Finger,Tetsuo Tomiyama Conference proceedings 1997 IFIP International Fe

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樓主: 萬靈藥
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發(fā)表于 2025-3-24 03:31:34 | 只看該作者
Active Catalog: A Knowledge-Rich Design Library Facilitating Information Consumption evaluation and consumption. Although rich in content, today’s catalogs and libraries of catalogs and other information are poor in using domain knowledge to help designers to access information in catalogs and libraries during the course of a design. Consumption (in the engineering case) requires t
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發(fā)表于 2025-3-24 08:37:20 | 只看該作者
Conference proceedings 1997ages of the product life-cycle such as production, distribution, operation, maintenance, reclamation, and recycling. Therefore, future CAD systems must incorporate product and design process knowledge, which are not explicitly dealt with in the current systems, in their design tools and design objec
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發(fā)表于 2025-3-24 10:57:02 | 只看該作者
nalysis of Seldes’ media criticism of the fake news, lies and propaganda in daily newspapers in the 1930s and 1940s exposes the historical nature and impact of fake news on public debate, and affirms the critical role of journalists in exposing fake news.978-3-030-30877-3Series ISSN 2634-6575 Series E-ISSN 2634-6583
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發(fā)表于 2025-3-24 17:49:15 | 只看該作者
more equal than others’ is light-years from the chill contradiction of ‘Freedom is slavery’. The fun, the sense of delightful absurdity, has haemorrhaged from the later book; there is no joy whatever in the grim oxymorons graven on the facade of the Ministry of Truth — smiles give way to shudders.
19#
發(fā)表于 2025-3-24 22:57:44 | 只看該作者
wift, that master of disgust. When Orwell describes the pitiful crew of naked tramps waiting in the bathroom of the spike for medical inspection (‘ruinous, degenerate curs … every kind of physical rottenness was there’ — pp. 131–2) we recall certain key. moments in Swift when the loathsomeness of li
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發(fā)表于 2025-3-25 00:01:56 | 只看該作者
Yusaku Shibatamore equal than others’ is light-years from the chill contradiction of ‘Freedom is slavery’. The fun, the sense of delightful absurdity, has haemorrhaged from the later book; there is no joy whatever in the grim oxymorons graven on the facade of the Ministry of Truth — smiles give way to shudders.
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