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Titlebook: Knee Arthroplasty; Thomas P. Sculco,Ermanno A. Martucci Book 2001 Springer-Verlag Wien 2001 Kniegelenksatz.Knieprothese.Polyethylenabnützu

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發(fā)表于 2025-3-21 19:22:37 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Knee Arthroplasty
編輯Thomas P. Sculco,Ermanno A. Martucci
視頻videohttp://file.papertrans.cn/544/543733/543733.mp4
概述Review of modern surgical techniques and materials.Critical account of the most common complications.Editors and authors from leading specialized clinics
圖書封面Titlebook: Knee Arthroplasty;  Thomas P. Sculco,Ermanno A. Martucci Book 2001 Springer-Verlag Wien 2001 Kniegelenksatz.Knieprothese.Polyethylenabnützu
出版日期Book 2001
關(guān)鍵詞Kniegelenksatz; Knieprothese; Polyethylenabnützung; Prothesendesign; Rehabilitation; Surgery; Wiedererlang
版次1
doihttps://doi.org/10.1007/978-3-7091-6185-2
isbn_ebook978-3-7091-6185-2
copyrightSpringer-Verlag Wien 2001
The information of publication is updating

書目名稱Knee Arthroplasty影響因子(影響力)




書目名稱Knee Arthroplasty影響因子(影響力)學(xué)科排名




書目名稱Knee Arthroplasty網(wǎng)絡(luò)公開度




書目名稱Knee Arthroplasty網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Knee Arthroplasty被引頻次




書目名稱Knee Arthroplasty被引頻次學(xué)科排名




書目名稱Knee Arthroplasty年度引用




書目名稱Knee Arthroplasty年度引用學(xué)科排名




書目名稱Knee Arthroplasty讀者反饋




書目名稱Knee Arthroplasty讀者反饋學(xué)科排名




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Soft-Tissue Balancinga. The occurrence of osteocartilaginous pathology results in contracture, that is, anatomofunctional adaptation, of some of the capsuloligamentous formations that make up this envelope. Depending on the localization of the osteocartilaginous defect, which is generally asymmetrical, contracture may i
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Nikolaus M. Boehlertations of the audience. As Dr Johnson wrote, ‘Our opinion … of words, as of other things arbitrarily and capriciously established, depends wholly upon accident and custom’ (1960, p. 9). Shakespeare, of course, notoriously refused to be bound by the rules developed by his neoclassic contemporaries,
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Mark W. Pagnano,Giles R. Scuderi,John N. Insallarticipation and activism. At the same time, through the application of mixed reality, the company extends the themes of transformation, transition, and transience in the production to reflect on changing styles of staging and new patterns of perception that they afford to audiences.
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the action on stage. To elucidate the significance of the trace for deconstructive adaptation, I begin with theorisation of the trace as a tool for theatre analysis and then introduce two selected works that exemplify its application: Saverio La Ruina’s . and Igor Bauersima’s ., which will be close
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