Titlebook: Kipling Considered; Phillip Mallett (Lecturer in English) Book 1989 Palgrave Macmillan, a division of Macmillan Publishers Limited 1989 fi

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Formidable

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,‘Mrs Bathurst’: Indeterminacy in Modern Narrative,rkings of subjective consciousness and the unconscious. But the relationship between the story and the telling of it in Kipling’s work is often highly unorthodox, making it as teasingly ambiguous, as difficult and ‘polysemous’ as that of the acknowledged modern masters.

indigenous

and Orientalism,n material, . receives very little consideration, and secondly, because in spite of the fact that the concept of Orientalism as elaborated by Edward Said. does have its problems, Moore-Gilbert’s treatment of it is unnecessarily reductive.

排斥

,Kipling’s England: the Edwardian Years,wal from Imperialistic concerns. In a recent survey of the literature of the period, John Batchelor speaks of the ‘division’ between an ‘a(chǎn)ggressive 1890s Kipling’ who imagined Empire, and a ‘nostalgic Edwardian Kipling’ who succumbed to pastoral, who puckishly encountered Puck in the England of E. M. Forster and Kenneth Grahame.

cardiopulmonary

Limits and Renewals: the Meaning of Form in the Stories of Rudyard Kipling,s are the archetypal ‘short stories’ in English: he came on the scene when the well-plotted tale was at its peak of popularity and was being industriously produced. H. G. Wells describes the climate of the 1890s:

寄生蟲

異端邪說2

: Revising the Code, work — important in the history of the Victorian school-story, by turning that sub-genre towards an adult audience and adult interests, and important also in the history of Kipling’s own career. He had made his reputation, in the Indian stories, in what was for Victorian fiction still largely uncha

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