Titlebook: Kinesthetic Spectatorship in the Theatre; Phenomenology, Cogni Stanton B. Garner, Jr. Book 2018 The Editor(s) (if applicable) and The Autho

落后的煤渣

書目名稱Kinesthetic Spectatorship in the Theatre影響因子(影響力)




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書目名稱Kinesthetic Spectatorship in the Theatre被引頻次




書目名稱Kinesthetic Spectatorship in the Theatre被引頻次學(xué)科排名




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書目名稱Kinesthetic Spectatorship in the Theatre年度引用學(xué)科排名




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Kinesthetic Spectatorship in the Theatre978-3-319-91794-8Series ISSN 2945-7297 Series E-ISSN 2945-7300

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Opponent

Dictation

nerve-sparing

Introduction,ip, the book addresses issues of disability and able-bodiedness as these pertain to movement and movement perception. Finally, the introduction advocates the productive collaboration of phenomenology and cognitive science, including recent theories of enaction and embodied cognition.

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Movement, Attention, and Intentionality,hapter concludes with a discussion of contemporary performance attempts to establish a “post-intentional” theatre. Performances analyzed in this chapter include director Ivo van Hove’s production of ., Robert Wilson’s ., and the performative experiments of Stelarc and Cathy Weis.

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Kinesthetic Resonance,tuational, multi-directional, and variable. Performances analyzed in this chapter includes Peter Hall’s film adaptation of Harold Pinter’s . and Deaf West’s revival of the musical ., which included deaf, hearing, and hard-of-hearing performers.