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Titlebook: Killing Spanish; Literary Essays on A Lyn Di Iorio Sandín Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 America.Amer

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樓主: Coagulant
11#
發(fā)表于 2025-3-23 11:33:17 | 只看該作者
,Killing “Spanish”: Rosario Ferré’s Evolution from , to U.S. Latina Writer,ationalist, paternalistic narratives of Puerto Rico’s early-twentieth-century literature. Much of the scholarship on Ferrés fiction underlines the existence of the female, black, mulatto, and “Other” voices in her work that the patriarchal narratives left out in their attempts to contain Puerto Rica
12#
發(fā)表于 2025-3-23 13:56:33 | 只看該作者
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發(fā)表于 2025-3-23 18:58:36 | 只看該作者
Latino Rage: The Life and Work of Edward Rivera,gation, reached an apex of fury in the Civil Rights Movement of the 1960s, and has been fully absorbed into Americas cultural consciousness through art forms such as the blues, jazz, the novel, and the essay. Although Latinos, the largest minority group in the United States, suffer socioeconomic ill
14#
發(fā)表于 2025-3-24 02:08:53 | 只看該作者
,Melancholic Allegorists of the Street: Piri Thomas, Junot Díaz, and Yxta Maya Murray,reet master. In his fictionalized autobiography ., Piri Thomas calls his mask “cara palo,” the Spanish shorthand for a face like a piece of wood, a fixed expressionless face.. Wearing the mask imitates, even as it undermines, a stable sense of self. Piri deceives himself into believing he knows who
15#
發(fā)表于 2025-3-24 03:42:57 | 只看該作者
978-0-230-61751-3Palgrave Macmillan, a division of Nature America Inc. 2004
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發(fā)表于 2025-3-24 07:26:16 | 只看該作者
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發(fā)表于 2025-3-24 10:59:37 | 只看該作者
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發(fā)表于 2025-3-24 15:43:58 | 只看該作者
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發(fā)表于 2025-3-24 21:30:20 | 只看該作者
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發(fā)表于 2025-3-24 23:47:56 | 只看該作者
,“That Animals Might Speak”: Doubles and the Uncanny in Loida Maritza Pérez’s ,ast (patriarchal) violence on the island overshadows life for Latinos in the United States, even though they may not know it, just as Iliana, the assumed protagonist of ., never learns about Annabelle. However, if dead or dying women are metonyms of the dangerous, violent origin, in . we also see th
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