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Titlebook: Kant, Wittgenstein, and the Performativity of Thought; Aloisia Moser Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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發(fā)表于 2025-3-25 05:12:51 | 只看該作者
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Kant, Wittgenstein, and the Performativity of Thought978-3-030-77550-6
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發(fā)表于 2025-3-25 22:11:46 | 只看該作者
Book 2021ely the scaffolding of the world. In so doing, Moser connects Kantian reflective judgment to Wittgensteinian rule-following. She thereby presents an account of performativity centering neither on theories nor methods, but on the application enacting them in the first place.??.
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發(fā)表于 2025-3-26 02:57:29 | 只看該作者
Kant, Synthesis, and Schemajudge in its primary activity but “shows” in its ability to make rules; it mimics an object for the human understanding. Intuition is crucial for thinking, since we are presented with a system of images, a sphere of semantically undetermined objects that we then judge in a concept.
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發(fā)表于 2025-3-26 05:50:11 | 只看該作者
to Wittgensteinian rule-following. She thereby presents an account of performativity centering neither on theories nor methods, but on the application enacting them in the first place.??.978-3-030-77552-0978-3-030-77550-6
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發(fā)表于 2025-3-26 18:31:01 | 只看該作者
,Introduction: Kant’s Acts of the Mind and Wittgenstein’s Projection Method,inking. I state that, in Kant’s ., we find such performativity in the projection of transcendental ideas. This?enables the unity of the understanding, while in Wittgenstein’s . performativity is evident in the projection of the proposition that makes possible the picturing and comparing of thought a
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