Titlebook: Kafka and Dostoyevsky; The Shaping of Influ W. J. Dodd Book 1992 W. J. Dodd 1992 argue.bibliography.biography.fiction.Franz Kafka.Politeia.

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書(shū)目名稱(chēng)Kafka and Dostoyevsky影響因子(影響力)




書(shū)目名稱(chēng)Kafka and Dostoyevsky影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Kafka and Dostoyevsky網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Kafka and Dostoyevsky網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Kafka and Dostoyevsky被引頻次




書(shū)目名稱(chēng)Kafka and Dostoyevsky被引頻次學(xué)科排名




書(shū)目名稱(chēng)Kafka and Dostoyevsky年度引用




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書(shū)目名稱(chēng)Kafka and Dostoyevsky讀者反饋




書(shū)目名稱(chēng)Kafka and Dostoyevsky讀者反饋學(xué)科排名

AMBI

Banquet

A Friend in St Petersburg? ,hich, as Spilka observes, ‘the signs of Dostoyevsky’s influence are extensive and detailed.’1 This later story will be considered in the following two chapters, the first of which explores the full extent of Kafka’s appropriation of .. In this chapter I will argue that, by the time of the breakthrou

LARK

Mr Golyadkin: , (I),ill take the more obvious, ‘fingerprint’ borrowings as my starting point and explore the underlying qualities of Dostoyevsky’s novel that Kafka seems to have homed in on. Prime amongst these are the ‘poor folk’ theme, the Principle of Frustration, the visual qualities of this writing, and the latent

IOTA

Underground Men: , (II),s grouped around the ‘poor folk’ theme. It is now time to address the blatant unrealism of ., and to examine the proposition that Kafka’s insect derives in some significant way from Dostoyevsky. The discussion now moves on, to . and to other works in which the Dostoyevskian Underground finds cogent

刺穿

Punishments and Crimes: , in effect, destroyed. There are still features of the old pattern which have remained substantially intact, but they now occupy different positions in a new constellation. Only if we can refer to the old pattern can we appreciate the full extent of the change caused by applying just a few degrees o

inculpate

Extemporize

Coda: ,, Der Dorfschullehrer,4, but was abandoned in order to press on with the novel. . [H 367–73] was probably begun later in 1914, and . [BeK 220–39] on 18 December. Both seem to have been abandoned in January 1915 [cf. T 715], though Kafka worked on . again in March [cf. T 733]. There are certain commonalities between all t

peritonitis

The Narrative Problem,which follow from particular narrative situations. In concluding this study, I would like briefly to explore an important area of affinity in narrative craft, located essentially in the concept of narrative .,. and in doing so I will consider Kafka’s use of the first-person form, an aspect of his wr

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