Titlebook: Julian of Norwich‘s Legacy; Medieval Mysticism a Sarah Salih,Denise N. Baker Book 2009 Palgrave Macmillan, a division of Nature America Inc

enormous

埋葬

驕傲

無禮回復(fù)

撫育

細微差別

得體

Julian of Norwich in Popular Fiction,d beyond the confines of Julian of Norwich gift shop items (statues of Julian and her cat, for example, are available in a U.S. “art” catalogue) and devotional works into popular fiction and, by informing the larger concept of the medieval anchoress, onto the stage and screen.. In this chapter I wil

Harbor

Playing Julian: The Cell as Theater in Contemporary Culture,n of Norwich and on popular beliefs about her life: James Janda’s ., Dana Bagshaw’s ., and Sheila Upjohn’s ... As my title suggests, my focus is the relationship between the anchoritic cell and performance, both in the dramatic performance of enclosure—that is, the cell in theater—as well as in the

FRONT

Julian in Norwich: Heritage and Iconography,hat we call “Julian of Norwich” has required, and developed, a visual identity. This chapter examines how “Julian” is encoded in twentieth-century and present-day visual and material culture in Norwich, the city where she lived: how her presence is evoked in the reconstruction of her anchorhold; how

枕墊

In the Centre: Spiritual and Cultural Representations of Julian of Norwich in the Julian Centre,e “children” of Julian of Norwich: not from a textual perspective, but from that of a onetime (2000–2002) administrator of the Julian Centre at Rouen Road, Norwich, adjacent to St. Julian’s Church and its present-day Cell. In this chapter, I shall discuss the setting up and functions of the present-