Titlebook: José Martí; Images of Memory and Emilio Bejel Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 body.corpus.discourse.ic

漠不關(guān)心

書目名稱José Martí影響因子(影響力)




書目名稱José Martí影響因子(影響力)學(xué)科排名




書目名稱José Martí網(wǎng)絡(luò)公開度




書目名稱José Martí網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱José Martí被引頻次




書目名稱José Martí被引頻次學(xué)科排名




書目名稱José Martí年度引用




書目名稱José Martí年度引用學(xué)科排名




書目名稱José Martí讀者反饋




書目名稱José Martí讀者反饋學(xué)科排名

fiscal

反對(duì)

案發(fā)地點(diǎn)

The Filming of a Memory, 2010). At a certain moment of the film, all the moviegoers (including myself; after all, I am not immune to Martí’s mythification) were crying almost uncontrollably. Once the movie was over, the entire audience, while still crying, gave a standing ovation to the film and several embraced one anothe

maintenance

,Melancholia for Martí, not only that conscience is instituted, produced, and maintained within a larger polity and its organizations but that the ego and its various parts are also accessible through a metaphorical language that attributes a social content and structure to these presumably psychic phenomena. Although Fre

Vo2-Max

Afterthoughts,nation with the lack that such a loss produces. But instead of trying to overcome that sense of mourning by attempting to . (an undesirable and impossible objective), we should use the traces of his memory as a utopic impulse toward forms of creative alternatives. When Martí’s images are seen with a

Ophthalmoscope

駭人

戲服

dura-mater

ossible for Martí‘s images to be perceived as icons today. It argues that an observer of Martí‘s icons who is immersed in the Cuban national narrative experiences a retrospective reconstruction of those images by means of ideologically formed national discourses of power. Also, the obsessive reprodu