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Titlebook: Jonathan Swift and Popular Culture Myth, Media and the Man; Myth, Media, and the Ann Cline Kelly Book 2002 Palgrave Macmillan, a division o

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書目名稱Jonathan Swift and Popular Culture Myth, Media and the Man
副標(biāo)題Myth, Media, and the
編輯Ann Cline Kelly
視頻videohttp://file.papertrans.cn/502/501176/501176.mp4
圖書封面Titlebook: Jonathan Swift and Popular Culture Myth, Media and the Man; Myth, Media, and the Ann Cline Kelly Book 2002 Palgrave Macmillan, a division o
描述Ann Kelly‘s provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century ‘republic of letter‘, a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.
出版日期Book 2002
關(guān)鍵詞Comic; Cultural Studies; culture; English literature; fiction; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-1-137-08264-0
isbn_softcover978-0-230-60234-2
isbn_ebook978-1-137-08264-0
copyrightPalgrave Macmillan, a division of Nature America Inc. 2002
The information of publication is updating

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https://doi.org/10.1007/978-1-137-08264-0Comic; Cultural Studies; culture; English literature; fiction; British and Irish Literature
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,Master of Surprises, 1712–28,ig Swift fascinated readers with his insouciant disregard of the proprieties expected of an Anglican priest. In a typically ambivalent and provocative move, Swift responded to Whig caricatures by styling himself as an Augustan and at the same time giving proof that the Whig canards were not exaggera
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,Intimations of Mortality and Immortality, 1729–45,ree score and ten allotment of years, Swift appeared to become very conscious about making sure his mark on the world would endure. His focus on himself as a subject is evident during the 1730s in the number of references in his poems to ., and .. as well as the appearance of Swift’s name on his tit
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