Titlebook: John Clare and the Imagination of the Reader; Paul Chirico Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limited 2007 b

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Audience and Haunting,etc’ — and he recalls talking to himself and allowing his thoughts to wander. His most arduous task, a weekly or twice-weekly winter trip to Maxey (a ‘distant village’ some two or three miles from Helpston) to fetch flour, called this developing imagination into more serious service:

哥哥噴涌而出

Introduction: Whose Clare?,spects of Clare’s biography, I attend centrally to his writings rather than to his (compelling) life-story, offering detailed readings of a broad range of the carefully constructed texts — many of them unpublished until recent years, or unnoticed by critics — in which all these related histories converge.

monogamy

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LARK

Book 2007This broad and original study of the full range of John Clare‘s work is the first to take seriously his repeated appeals to the judgement of future readers. A series of close readings reveals Clare‘s sophisticated poetics: his covert quotations, his careful analysis of the history, and his fascination with literary success and posthumous fame.

thrombus

https://doi.org/10.1057/9780230591103bibliography; future; history; history of literature; imagination; knowledge; poetics; time

白楊魚

Time and Labour,In 1814 Clare paid a week’s wages for a ‘book of blank paper’ from a local bookseller.. On its fourth page he wrote his own name and that of his village, the year and the title ‘A RUSTIC’S PASTIME, IN LEISURE HOURS’. In the middle he copied a ten-line epigraph from Allan Ramsay:

帽子

,Conclusion: Clare’s Muse,Writing to Taylor three months after the publication of ., Clare discusses, in addition to these new sonnets, his desire to rework some of the material which had not been printed in that first volume:

cochlea

The Sociable Text,’. Quoting an important poem from the volume, Taylor — unlike many critics — is careful to distinguish the poet from his protagonist, while using the contrast between the two as the starting point for a detailed discussion of Clare’s uses and abuses of customary language and syntax:

Foolproof