Titlebook: Jean-Jacques Rousseau: Music, Illusion and Desire; Michael O’Dea Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited

寬大

Intentional

Introduction,d, perhaps even before embarking, he began to return to a calmer frame of mind, but he was never again to escape completely from the violent terrors that overwhelmed him in Staffordshire and led him to take flight from a country where he was free to one where he was still possibly in danger of arres

Cognizance

,Social Order and ‘,’,provided, however. The editor dodges and feints, refusing either to lie or to tell the truth (27/28), hinting even that he may not know the answer to his reader’s question. The effect is to heighten the uncertainty created by the book’s title page.

爵士樂

and ,y may appear, share some of the same territory in their systematic movement back and forth between denouncing persecution and celebrating the dream-world. Critics sometimes set the . apart as a miracle of old age in which Rousseau escapes from his obsessions and finds an entirely new voice.

使糾纏

Decimate

ique insight into his thinking on aesthetics, affectivity and desire. Rousseau is shown as moving subsequently between two opposed tendencies. He celebrates the voice as the vehicle for the most intense moments of human experience but also frequently attacks the surrender to passion implicit in that celebrati978-1-349-23930-6

Legion

Book 1995ing a key to the understanding of its various texts...O‘Dea‘s vividly textured and finely nuanced reading of Rousseau‘s musical imagination plainly does complement the Pleiade collection in two striking ways...it offers a general interpretation of the place of the philosophy of music in Rousseau‘s t

小母馬

Stricture

Music, Imitation and Illusion,lar function. In its final form even more than in its early manifestations, Rousseau’s musical thought will be opposed to Rameau’s not only in the sense of contradicting its tenets (which it does almost incidentally), but also because there is no significant point of contact between the two accounts of what music is.

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