Titlebook: Japanese Influence on American Children‘s Television; Transforming Saturda Gina O’Melia Book 2019 The Editor(s) (if applicable) and The Aut

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The Final Years of Saturday Morning,nd conventions that acted as the unifying force between ., a South Korean program, and .-., and ., all American superhero programs based on intellectual properties that were not strangers to Saturday Morning scheduling.

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Foundation: What Were the Rules of Saturday Morning Before the Japanese Imports?,ological assumptions underpinning the tropes and conventions used in them. Then, despite the diverse genres of all four programs, she highlights the commonalities that united the series together and the narrative culture that had developed on Saturday Morning before the Japanese imports that began with . in 1993.

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Book 2019rom being rooted in American traditions and popular culture to reflecting Japanese popular culture.? In this modern era of globalization and global media/cultural convergence, the book brings to light an often overlooked phenomenon of the gradual integration of narrative and character conventions bo

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Gina O’MeliaBrings to light an often overlooked chapter in Global Media culture.Illustrates ways in which the United States serves not only as an exporter of popular media, displacing other countries’ own cultura

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https://doi.org/10.1007/978-3-030-17416-3Saturday Morning Cartoons; Anime; Japanese Popular Culture; Global Media; Japanese-American Media Exchan

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978-3-030-17418-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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