Titlebook: Japanese Horror and the Transnational Cinema of Sensations; Steven T. Brown Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

啞劇表演

書目名稱Japanese Horror and the Transnational Cinema of Sensations影響因子(影響力)




書目名稱Japanese Horror and the Transnational Cinema of Sensations影響因子(影響力)學科排名




書目名稱Japanese Horror and the Transnational Cinema of Sensations網(wǎng)絡(luò)公開度




書目名稱Japanese Horror and the Transnational Cinema of Sensations網(wǎng)絡(luò)公開度學科排名




書目名稱Japanese Horror and the Transnational Cinema of Sensations被引頻次




書目名稱Japanese Horror and the Transnational Cinema of Sensations被引頻次學科排名




書目名稱Japanese Horror and the Transnational Cinema of Sensations年度引用




書目名稱Japanese Horror and the Transnational Cinema of Sensations年度引用學科排名




書目名稱Japanese Horror and the Transnational Cinema of Sensations讀者反饋




書目名稱Japanese Horror and the Transnational Cinema of Sensations讀者反饋學科排名

思鄉(xiāng)病

貞潔

Scleroderma

Steven T. BrownOffers transnational analysis of selected J-horror films from new angles that shed light on previously ignored aspects of the genre.Provides insightful analysis of the formal aspects of Japanese horro

Ancestor

看法等

CHASE

In the Wake of Artaud: Cinema of Cruelty in , and ,,Takashi, 1999) and the Korean horror . (.; dir. Park Chan-wook, 2003)—each of which offers engagements with graphic violence but situates that violence in a way that eludes the conceptual restrictions of “torture porn” and “Asia Extreme.”

砍伐

circumvent

Introduction,logical groundwork for investigating J-horror’s aesthetics of “resonance” and the audiovisual techniques by which Japanese horror develops a cinema of sensations that fills viewers with atmospherically enhanced dread.

朦朧