Titlebook: Jane Austen and William Shakespeare; A Love Affair in Lit Marina Cano,Rosa García-Periago Book 2019 The Editor(s) (if applicable) and The A

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Licentious

豎琴

他很靈活

Austen and Shakespeare Translatednt versions of their texts? This essay seeks to compare and contrast the translation history of the two authors, using the example of Norway as a case study. It asks which works were translated when and how frequently, and provides intriguing samples of selected translations..In the case of the Nord

槍支

公理

Is it ‘a(chǎn) marriage of true minds’? Balanced Reading in , and is partiality for Romantic poetry, but Anne Elliot’s value for balance is expressed when she recommends moral essays. Other times, and not unfrequently, characters’ reading choice falls on the works of William Shakespeare—such as ., which Willoughby reads to Marianne Dashwood in ., and the excerpts

使饑餓

‘As sure as I have a thought or a soul’: The Protestant Heroine in Shakespeare and Austens Beatrice and .’s Elizabeth Bennet have provoked inquiry into the degree to which each author critiques (or not) the gender politics of their respective moments. In spite of the heroines’ strength, they frequently must undergo a kind of chastening process, so that whatever romantic happiness is ach

顧客

Tyrants, Lovers and Comedy in the Green Worlds of , and ,usten consciously cited Shakespeare. Instead, it complements these earlier studies by revisiting . through the eyes of a reader familiar with .. Despite .’s explicit allusion to Shakespeare’s tragic and historic works, I suggest that there may be even deeper, if implicit, allusions to his comedy at

善于

Forbidden Familial Relations: Echoes of Shakespeare’s , and , in Austen’s , and ,usten, incestuous sibling connections are used to probe discourses of family, gender, class and domination and demonstrate how these discourses inform social, cultural and political worlds, and vice versa. In Shakespeare’s . and ., incest is used as a strategy to brandish and amalgamate power and to

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