Titlebook: Italy and English Literature 1764–1930; Kenneth Churchill Book 1980 Kenneth Churchill 1980 English.English literature.Italy.literature.Bri

FOR

From Addison to Gibbon,e epitomises the contemptuous attitude of the English Grand Tourists to what they supposed to be the modern Italian character. From Chaucer to Milton contemporary Italy had been a recurrent stimulus to English poetic achievement, whether it was the stimulus of Dante, Petrarch and Boccaccio, of the s

擔(dān)憂

Between Gibbon and Byron,rary attitudes to Italy was in the novel, and it was the novelistic image of Italy which provided the immediate literary background to Byron’s own poetic exploration of the country. Little advance, indeed, was made in the poetic treatment of Italy between the mid eighteenth century and the height of

amputation

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鬧劇

,Italy in English Fiction, 1820–37,ey had the example of Byron before them, the tendency of the novelists’ exploration of Italy in these years was towards a feeling that any such creative relationship with Italy as Byron had achieved was purely exceptional, and that the more general truth lay rather in the direction of Madame de Sta?

DALLY

不規(guī)則的跳動

HOWL

Browning,arded as speaking for himself in the lines he gave to the persona of .:.The lines appear on the tablet erected to his memory on the Palazzo Rezzonico in Venice where Browning died in i 88g, more than half a century after he had been moved and fascinated by his first visit to that city in 1838. Much

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Heretical