Titlebook: Italian-Canadian Narratives of Return; Analysing Cultural T Michela Baldo Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 fi

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978-1-349-69325-2The Editor(s) (if applicable) and The Author(s) 2019

CAGE

Introduction: Translation, Narratives and Returns,e discussion of the texts, this chapter introduces the main theoretical concepts, which have underpinned the textual analysis, namely translation, narrative and return. Translation is theorised here as a metaphor for return and as a metaphor for writing. Both metaphors originate from studies of dias

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Italian-Canadian Writing and Narratives of Translation as Return: The Italian Translations of Riccifi, . (2009) and a novel by author Frank Paci, . (2002), and their respective translations into Italian. The chapter starts by introducing the phenomenon of Italian-Canadian writing, a body of literature produced in Canada in the last forty years by writers of Italian background, focusing on the que

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Code-Switching and Return in Ricci, Melfi and Paci and in the Italian Translations of Their Works,) and Melfi’s . (2009), and in their Italian translations. The chapter aims to compare how code-switching contributes to narratives of return within these texts, with the way in which it contributes to narratives of return in the paratexts, that is in the book covers, blurbs and book prefaces, and i

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Return as Restoration and Restitution,, 1993, 1997), Paci’s . (2002) and Melfi’s . (2009), in the light of the social narratives of return which surround the Italian translations of these works (Ricci 2004; Paci 2007; Melfi 2009). The analysis confirms how the code-switched items categorised in this body of writing are also commonly fou

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