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Titlebook: Italian Jewish Musicians and Composers under Fascism; Let Our Music Be Pla Alessandro Carrieri,Annalisa Capristo Book 2021 The Editor(s) (i

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發(fā)表于 2025-3-21 18:39:23 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Italian Jewish Musicians and Composers under Fascism
副標(biāo)題Let Our Music Be Pla
編輯Alessandro Carrieri,Annalisa Capristo
視頻videohttp://file.papertrans.cn/476/475965/475965.mp4
概述Provides the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians in Fascist Italy.Examines the impact of the Italian Race Laws and Fascist Italy‘s relationshi
叢書名稱Italian and Italian American Studies
圖書封面Titlebook: Italian Jewish Musicians and Composers under Fascism; Let Our Music Be Pla Alessandro Carrieri,Annalisa Capristo Book 2021 The Editor(s) (i
描述.This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.?.
出版日期Book 2021
關(guān)鍵詞Jewish musicians; Italian music; Italian theatre; Race Laws; Nazi Germany; Fascist Italy; Antisemitism; exi
版次1
doihttps://doi.org/10.1007/978-3-030-52931-4
isbn_softcover978-3-030-52933-8
isbn_ebook978-3-030-52931-4Series ISSN 2635-2931 Series E-ISSN 2635-294X
issn_series 2635-2931
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Forms and Methods of Anti-Jewish Persecution in Fascist Italy from 1938 to 1943, dictated by reasons of foreign policy. The laws excluded Jews from state schools, cultural life, the army, public employment, as well as further limiting access to private employment. New “racially mixed” marriages were outlawed. The policy of separating Jews from the majority of society developed
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Jazz in Fascist Italy: Social Impact, Politics, and Racism,rk years of the First World War. Jazz, both as a musical genre and as an American export that brought lifestyle changes, had a significant impact on Italian society in the 1920s, 1930s, and 1940s. Many channels and transnational agents contributed not only to the diffusion of jazz, but also to its a
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An Expedient Alliance? Musical Relationships between Nazi Germany and Fascist Italy in the period b3. During the first years of the Nazi regime, the Germans remained largely aloof from their Italian colleagues, with more zealous Nazi ideologues even expressing hostile reactions toward the Italian regime for enabling the inclusion of modernist and Jewish composers in high-profile music festivals i
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發(fā)表于 2025-3-23 02:24:49 | 只看該作者
me a greater role in the direct care of patients in IR. Taking on increased responsibility empowers medical students to more actively engage in the care of their patients, as well as to demonstrate their decision-making and patient management skills to the medical team. A subintern’s responsibility
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Alessandro Carrieri,Annalisa Capristome a greater role in the direct care of patients in IR. Taking on increased responsibility empowers medical students to more actively engage in the care of their patients, as well as to demonstrate their decision-making and patient management skills to the medical team. A subintern’s responsibility
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