Titlebook: Issues of Contemporary Art and Aesthetics in Chinese Context; Eva Kit Wah Man Book 2015 The Editor(s) (if applicable) and The Author(s), u

胖人手藝好

ROOF

Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object,This chapter presents a historical account and philosophical analysis of the development of philosophical aesthetics in China in its Marxist regime, and the discussion focus will be on the relation of subject and object in aesthetic experience.

Cacophonous

Some Reflections on Confucian Aesthetics and Its Feminist Modalities,This chapter starts from the reflection and analysis of the origin of “beauty” in the Confucian aesthetics. It first traces its origin in the suggestion of the Confucian moral mind. The emergence process involved is regarded as a very different one from that of the Western mainstream, in which the subject and object dichotomy is presupposed.

免除責(zé)任

Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses oThis chapter starts from some representing discussions on visual art related to visuality, creative process, and aesthetic experience in the Chinese classical arena (Shih Tao). The philosophical implications and the aesthetical references in these discussions are analyzed and studied, with reference to the Confucian and the Daoist contexts.

牢騷

,The Trinity of “Hong Kong -China- the World”: The Battle of Cultural Identities as a Form of HegemoDuring the past 30?years, visual art in Hong Kong has distinguished itself from other art forms, undergone a metamorphosis in both concepts and styles. During the 1960s, Hong Kong painters have developed meaningful and systematic theories of painting and aesthetics which reflect a concern for cultural identity.

BABY

GUEER

,Some Reflections on “Feminist Aesthetics”: Private/Public? Personal/Political? Gender/PostColonial?vity; private (experience) and public (exhibition); personal response to social and political events; exploration and development of artistic languages and media; and finally, gender construction and individual transcendence.

絆住

砍伐

2199-9058 ributes to philosophical discussion on the diverging practicThis book discusses how China’s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have

tooth-decay