Titlebook: Iris Murdoch’s Practical Metaphysics; A Guide to her Early Lesley Jamieson Book 2023 The Editor(s) (if applicable) and The Author(s), under

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歡騰

The Disorientation of Love and the Decline of Literature,limited, behaviourist and existentialist conception of human individuality and freedom as well as an inadequate moral psychology. This chapter uses Murdoch’s writings on literature and philosophy from her St. Anne’s period to illustrate her uniquely literary approach to philosophical clarification and the practical dimension of her work.

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Having a Mind on the Borders of Philosophy, Literature, and Politics,ge proper to philosophy—especially how they distinguished between moral philosophy and ‘preaching’ and between clarity and the poetic. Doing so contextualizes what Murdoch went on to achieve in transforming disadvantages into strengths and gives us a clue about how we should read her early writings.

ATRIA

The Limits of Modern Moral Philosophy,opment of “vision”. Murdoch’s introduction of that and other related metaphors and analogies is meant to illuminate the unity of the moral life and our capacity for genuine moral insight. The focus of this chapter is on contextualizing Murdoch’s writings and illustrating the methods she employs in responding to then-dominant moral philosophies.

ARCH

Moral Philosophy, Moralism, and the Socialist Imagination,r of the loss of concepts. After reviewing three ways of interpreting the significance of conceptual loss drawn from Stanley Cavell, Cora Diamond, and Niklas Forsberg, this chapter turns to Murdoch’s socialist writings to identify new connections between the Current View and the socialist movement’s loss of vision.

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Hypomania

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,Approaching Murdoch’s Early Philosophy,scures the substance of her writing such that bringing her insights to bear on contemporary philosophical debates requires salvaging them from her unclear prose. The second adopts a synoptic view of her career that abstracts away from the particularities of how she writes and the interventions she m