Titlebook: Ireland’s Imperial Connections, 1775–1947; Daniel Sanjiv Roberts,Jonathan Jeffrey Wright Book 2019 The Editor(s) (if applicable) and The A

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Cupping

“A work purely local?”: Narratives of Empire in George Benn’s ,877) and its successor volume, . (1880), appear initially as exercises in “l(fā)ocal” history. However, Belfast was a town with multiple imperial connections, and it is possible, within Benn’s work, to identify narratives of empire that speak to, and in some instances obscure, the realities of Belfast’s

Meditative

The 1857 Indian Uprising in Irish Ballads: Voices of the Subalternglected genre and with little explored cultural perspectives in postcolonial assessments of this crucial event of imperial history. The ballads provide us with unique access to the opinions of the less well-educated, whose voices are perceived only as faint echoes in texts produced by the middle cla

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Afghanistan, the Indian “Mutiny,” and the?Bicultural Stereotype of John Nicholsonl exploits and prowess of the hero are as much a source for this construction as a certain Christian masculinity and the imperial “man-on-the-spot” ethos. The chapter, exploring the Nicholson stereotype in literature and biography, unpacks the three aspects of the subcontinental origins of this ster

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Violent Resistance: The Irish Revolution and Indiarish (violent) model as their blueprint. The two episodes that are looked at in this chapter, namely the Chittagong Uprising of 1930 and the wartime activities of Subhas Chandra Bose, offer examples of Indian physical force nationalism that are relatively little-known outside of India. The violent n

Delectable

Stateless and Destitute: The O’Rourke Family of Saint-Domingue, Nantes and Wexford, 1788–1805ses a series of letters between members of the O’Rourke family before, during and after the Haitian Revolution (1791–1804). The correspondence creates a web of association that links Saint-Domingue, Maryland, Dublin, Wexford, Nantes and London. It traces the impact of the Haitian revolution on the O

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