Titlebook: Ireland, Memory and Performing the Historical Imagination; Christopher Collins (Teaches),Mary P. Caulfield (V Book 2014 Palgrave Macmillan

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Joseph Greenwood information. The study was explorative in nature and was not designed to produce conclusive results with respect to these issues, however it does provide some understanding about the sensitivity of valuations to categorical nesting and information effects, at least in the particular context of valu

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Christopher Collins increasing land scarcity, the pressure to utilize them for agriculture is increasing. This chapter focuses on a case study in Riau and West Kalimantan to discuss the socioeconomic and environmental values of peatland through examples of financial analysis and economic valuation and discussion based

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for honey bees. They are known to play a crucial role in maintaining plant biodiversity in forests and agricultural crops for human food production. This chapter describes the history of beekeeping, beekeeping practices, and offers an overview of the impact of changing environments as well as human

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Re-considering Oscar Wilde’s Flamboyant Flop: , lected. Many people are familiar with Wilde’s more popular plays of the 1890s: . (1895), . (1895) and . (1896), but Wilde’s two early tragic plays continue to be virtually overlooked.. Despite this significant oversight in the history of the Irish dramatic archive, productions of Wilde’s most popula

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Courtly Love and Heroic Death in W. B. Yeats’s Cuchulain Cycle of Playsand . (1939). The Lacanian notions of ‘fantasy’, ‘Symbolic Order’ and the ‘Real’ will be used to analyse the relationship between the protagonist Cuchulain and the various manifestations of Woman as fantasy object in the female characters in the plays. The aim is to reaccentuate the interpretive foc

Assignment

‘… Whenever the Tale of ‘98 is Told’: Constance Markievicz, the National Memory and ‘The Women of Nit. By employing different theatrical and rhetorical strategies, Markievicz revealed an alternative condition and potential for women and for Ireland. Her artistry in all its forms was a means to examine themes of insurgency and political strife as they relate to both Ireland and women’s efforts in I