Titlebook: Introduction to the Physics and Psychophysics of Music; Juan G. Roederer Book 19752nd edition Springer-Verlag New York Inc. 1975 Akustik.M

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痛苦一下

Atmosphere

Juan G. Roedererof Sustainability Science and Technology. is also a comprehensive and authoritative resource for policy makers who want to understand the scope of research and development and how these bottom-up innovations map on to the sustainability challenge..978-1-4419-0851-3

Chromatic

organism

of Sustainability Science and Technology. is also a comprehensive and authoritative resource for policy makers who want to understand the scope of research and development and how these bottom-up innovations map on to the sustainability challenge..978-1-4419-0851-3

積習(xí)已深

Unsaturated-Fat

Sound Vibrations, Pure Tones, and the Perception of Pitch,long time on sound waves and sound generation. From the practical point of view, this approach has one drawback: the experiments that we shall present and analyze in this chapter necessarily require electronic generation of sound rather than natural production with real musical instruments. Whenever

frozen-shoulder

Palpable

Superposition and Successions of Complex Tones and the Perception of Music, The reader no doubt already has sensed how much guesswork was involved in the discussion of the perception of timbre (Section 4.8). We are in much worse shape when it comes to the higher psychological attributes such as consonance, dissonance, the sense of tonality and return, and, in the end, the whole gamut of emotional reactions to music.

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