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Titlebook: Intimate Investments in Drag King Cultures; The Rise and Fall of Kerryn Drysdale Book 2019 The Editor(s) (if applicable) and The Author(s)

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樓主: squamous-cell
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發(fā)表于 2025-3-23 11:30:44 | 只看該作者
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發(fā)表于 2025-3-23 17:11:24 | 只看該作者
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發(fā)表于 2025-3-23 19:41:11 | 只看該作者
Everyday Archivesapture them, work as an immaterial form of cultural exchange that simultaneously produces a sense of the eternal. Sydney’s drag king scene is presented as a lingering archive of lived experience, capable of taking on and transmitting shared social moods.
14#
發(fā)表于 2025-3-23 23:52:22 | 只看該作者
Scene Thinkingcing a position called ., this chapter reworks the concept of scene so it can be applied to describe the process by which the participatory nature of any cultural activity takes on social form. Yet, the dual dimensions of scenes—their double-faced orientation to intensified experience amid the munda
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發(fā)表于 2025-3-24 04:23:17 | 只看該作者
Drag King Culturesing the first two decades of the 21. century. By animating the historical and contemporary dimensions of drag against the longer tradition of performing masculinity, this chapter documents some of the complexities in specifying a universal drag king culture. Following recent work in human geography,
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發(fā)表于 2025-3-24 07:03:05 | 只看該作者
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發(fā)表于 2025-3-24 12:52:37 | 只看該作者
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發(fā)表于 2025-3-24 17:15:32 | 只看該作者
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發(fā)表于 2025-3-24 21:54:33 | 只看該作者
Everyday Archivesrom the moment of their decline, scenes anticipate their retrospective formation from their backwards-facing position. By examining a social moment that starts to ., this chapter explores how the elusiveness of social scenes prompts an imperative towards memorialization. The second half of the chapt
20#
發(fā)表于 2025-3-25 02:44:12 | 只看該作者
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