Titlebook: Intimacy and Family in Early American Writing; Erica Burleigh Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 America

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CAMP

勤勉

Range-Of-Motion

https://doi.org/10.1057/9781137404084America; bibliography; genre; interdependence; landscape; love; novel; oral discourse; slavery; William Henry

約會(huì)

Inordinate

ow the trope of the family recurred to produce contradictory images - both intimately familiar and frighteningly alienating - through which Americans responded to upheavals in their cultural landscape.978-1-349-48718-9978-1-137-40408-4

BOOM

Introduction: Intimacy, Integrity, Interdependence,too much family feeling: incest recurs as both an implicit and an explicit element of many early American writings, from the satirical . (1787) to Charles Brockden Brown’s Gothic . (1798) to William Hill Brown’s sentimental . (1807) to Rowson’s equally florid sequel, . (1828).

階層

Discursive Intimacy,ry. Understanding how noninstrumental (or not primarily instrumental) relationships were figured makes clear the ways in which later eighteenth-century American writers both repudiated and repurposed different languages of union.

面包屑

Introduction: Intimacy, Integrity, Interdependence,orn or die around the same time that their mothers (themselves usually seduced, unwed, and abandoned) expire. This macabre narrative consistency—found in texts like Susanna Rowson’s . (1791), Hannah Webster Foster’s . (1797), and P. D. Manvil’s . (1807)—might indicate that early American writers wer

Visual-Field

Discursive Intimacy,y seem (to put it charitably) counterintuitive. Without this background, however, the discussion that follows would be missing a crucial antecedent: how people thought about relationships between people that were not familial—nor national, nor economic, nor political, nor even necessarily emotionall