Titlebook: Interrupted Narratives and Intersectional Representations in Italian Postcolonial Literature; Caterina Romeo Book 2023 The Editor(s) (if a

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Caterina Romeo?ten gut eingeführt.Grundlagen und weiterführende Fragestell.Diese Einführung pr?sentiert alle Teilbereiche der Neueren deutschen Literaturwissenschaft in einem Band. Sie erkl?rt grundlegende literaturwissenschaftliche Begriffe und stellt die Epochen von der Frühen Neuzeit bis zur Gegenwart vor sowi

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2635-2931 as well as contemporary film and TV.Examines how emigration.This book argues for the importance of adopting a postcolonial perspective in analysing contemporary Italian culture and literature. Originally published in Italian in 2018 as .Riscrivere la nazione: La letteratura italiana postcoloniale.,

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Book 2023shed in Italian in 2018 as .Riscrivere la nazione: La letteratura italiana postcoloniale., this new English translation brings to light the connections between the present, the colonial past and the great historical waves of international and intranational migration. By doing so, the book shows how

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978-3-031-10045-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Caterina RomeoTakes an intersectional approach to understanding Italian identity.Explores over 100 texts written by migrant and second-generation writers, as well as contemporary film and TV.Examines how emigration

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https://doi.org/10.1007/978-3-031-10043-7Colonial legacy; Migration; Diaspora; Italianness; Italianita; National identity; Racism; Intersectional; Ge

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The Artist-Officer: War, Beauty, and the Nation in Ardengo Soffici’s c shaped by a war in which traditional forms of military discipline are replaced with alternative forms of internalized discipline centered on the cult of the nation. This foundational narrative of the new Italy that emerged from the trenches would inform Soffici’s aesthetic politics in the 1920s and his support of the fascist regime.

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Die Europ?ische Union im 21. Jahrhundertto shape the world according to American interests and values.”. The second image fed into the scripted representations of Bush as a “tough,” even virile, leader who had taken on the garb of a Hollywood warrior determined to protect the United States from terrorists and to bring the war in Iraq to a