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Titlebook: International Theatre Olympics; The Artistic and Int Jae Kyoung Kim Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Internat

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發(fā)表于 2025-3-21 18:25:23 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱International Theatre Olympics
副標(biāo)題The Artistic and Int
編輯Jae Kyoung Kim
視頻videohttp://file.papertrans.cn/473/472077/472077.mp4
概述Examines the six Theatre Olympics to date: the first in Delphi, Greece (1995), the second in Shizuoka, Japan; (1999), the third in Moscow, Russia (2001), the fourth in Istanbul, Turkey (2006), the fif
圖書封面Titlebook: International Theatre Olympics; The Artistic and Int Jae Kyoung Kim Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Internat
描述This pivot examines how the Theatre Olympics, born in 1995, have served to enrich each host country’s culture, community, and foreign relations. Looking at the host country’s political, social, and cultural circumstances, it considers how the festival expands the notion of Olympism beyond its application to the Olympic Games, expressing the spirit of Olympism and interculturalism in each country’s distinct cultural language..It also emphasizes the festival’s development over the twenty years of its existence and how each festival’s staging has reflected the national identity, theatre tradition, and cultural interest of the hosting country at that time, as well as how each festival director’s artistic principle has attempted to accomplish cultural exchange through their productions..
出版日期Book 2016
關(guān)鍵詞International Theatre and The Theatre Olympics; Olympism and world theatre; Trends in contemporary wor
版次1
doihttps://doi.org/10.1007/978-981-10-2573-0
isbn_softcover978-981-10-9655-6
isbn_ebook978-981-10-2573-0
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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https://doi.org/10.1007/978-981-10-2573-0International Theatre and The Theatre Olympics; Olympism and world theatre; Trends in contemporary wor
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Book 2016ng at the host country’s political, social, and cultural circumstances, it considers how the festival expands the notion of Olympism beyond its application to the Olympic Games, expressing the spirit of Olympism and interculturalism in each country’s distinct cultural language..It also emphasizes th
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Theatre, Carnival, and the People,Theatres Program.” Accordingly, the chapter examines in detail this outdoor program that includes about 40 street theatre groups and shows how the program effectively passed the joy of theatre to the festival attendees.
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