Titlebook: Intercultural Aesthetics in Traditional Chinese Theatre; From 1978 to the Pre Wei Feng Book 2020 The Editor(s) (if applicable) and The Auth

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Reframing Audience Experiences: Brechtian Estrangement and Metatheatricality Displaced in ,he use of metatheatricality shares the same mechanism of imposition without much engagement with either .’s content or form. Thus, in this case, the repositioning of the audience becomes little more than a game with metatheatricality.

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intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China’s pursuit of modernity between its traditional and Western influences..978-3-030-40637-0978-3-030-40635-6

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Correction to: Intercultural Aesthetics in Traditional Chinese Theatre,

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Intercultural Aesthetics in Traditional Chinese TheatreFrom 1978 to the Pre

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Intercultural Aesthetics in Traditional Chinese Theatre978-3-030-40635-6

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