Titlebook: Intercultural Aesthetics; A Worldview Perspect Antoon Braembussche,Heinz Kimmerle,Nicole Note Book 2009 Springer Science+Business Media B.V

火花

Malfunction

Nishida, Aesthetics, and the Limits of Cultural Synthesis,tly unchanged in its essentials.. It is a philosophy that (I would argue) articulates a view of experience that is simply incommensurable with that which informs the mainstream of western thought, especially as the latter derives from Aristotelian logic. It is a .different way of understanding the w

Jejune

VICT

The , Theory: A Challenge for Intercultural Aesthetics,e middle ground between these two extreme positions, I shall be content with suggesting some possible contributions made by this aesthetic theory to our modern aesthetic debate. I shall focus my reflection entirely on the first authors of the Kashmiri tradition, particularly on Abhinavagupta, and no

實(shí)施生效

Presenting the Unpresentable. On Trauma and Visual Art,ion between fact and fiction: Also the violent images we see in the newsreels seem to be part of a giant spectacle and simulacrum of violence. They follow one another in such a rapid succession that the viewer is allowed hardly any time to digest the images. The overwhelming accumulation does not le

草率男

Postmenopause

鉆孔

The Ethics of the Wound, a variety of cultural disciplines, with a particular focus on literature. Scholars in psychiatry and psychoanalysis joined colleagues in literary and cultural studies to analyze the origin and complications of literary and related works functioning as artistic testimonies to trauma. Shoshana Felman

含糊其辭

Book 2009home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy. ..The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is r

Minuet