Titlebook: Intensive Media; Aversive Affect and Anthony McCosker Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 contem

Twinge

書目名稱Intensive Media影響因子(影響力)




書目名稱Intensive Media影響因子(影響力)學(xué)科排名




書目名稱Intensive Media網(wǎng)絡(luò)公開度




書目名稱Intensive Media網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Intensive Media被引頻次




書目名稱Intensive Media被引頻次學(xué)科排名




書目名稱Intensive Media年度引用




書目名稱Intensive Media年度引用學(xué)科排名




書目名稱Intensive Media讀者反饋




書目名稱Intensive Media讀者反饋學(xué)科排名

Vulvodynia

War: Visual Brutality and Affective Vectors,the pain and devastation brought about by its weapons and by the actions of combat. Control over visual access to the increasingly indeterminate combat zone and to the human actions and experiences of war is central to the operation of what James Der Derian has called the ‘military-industrial-media-

匍匐

NAG

車床

Masochism: Painful Pleasures,w forms of intimacy – and often disrupting them – but they also entail what Paul Virilio (2008, p. 46) has called ‘the obscenity of technology’. Virilio pairs technology and mass media with perversion in his constant probing of the generalised ‘industrialization of vision’ and those interventions in

Genistein

Salvation: Medieval Vision, Affective Community,ar Claire Colebrook uses the example of a Catholic procession of the crucifix. Members of the procession are united in a common affect generated within the group. Through their participation they take on a shared sense of pain, suffering and mourning as a way of attaining a personal spiritual elevat

可以任性

Illness: Putting It All Online,he skeletal, emaciated body of a young man circa 1987, that is associated with HIV AIDS. The problem with this and similar photographs of suffering, for Bal, lies in the ‘diffuse quality of emotion’, the feeling of emotions with nowhere to go, the unfairness of the sentimentality that results in som

Celiac-Plexus

Epilogue, nauseating migraines served as a provocation to think through the communicability of pain and to see or encounter its image differently. This kind of pain introduces questions of thresholds of emergence, ‘qualities’, sensory processes and anomalies and expression, in terms of what I have come to un

motivate

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