Titlebook: Information, Uncertainty and Fusion; Bernadette Bouchon-Meunier,Ronald R. Yager,Lotfi A Book 2000 Springer Science+Business Media New York

Cuisine

cortex

Cristina Olaru,Louis Wehenkeldy of literature about technical differences between dance on land and on ice (see Best, 1974; Reid, 1970). Instead, we would like to point out new facets of these borderlines, between skating, dance and sport, to discuss some remaining untapped boundary issues. Our ultimate aim is to reach a more s

內(nèi)部

Folklore

s on the use of ethnographic methods for the analysis of dance contexts and practices (see, for example, Martin, 1995; Ness, 1996a, b; Novack, 1995; Thomas, 1996). However, it should be noted that this study represents the first stage of a larger project which will compare and contrast the events, a

離開可分裂

咽下

Sophia Langleyan and derived societies) it is widely assumed that what we call ‘the arts’ are merely for entertainment and enjoyment from which nothing of significance can be learned. The arts in general, and the dance in particular, are regarded as peripheral, expendable, and of no great importance in education

LAST

FUSE

P. A. Monney,B. Anrigan and derived societies) it is widely assumed that what we call ‘the arts’ are merely for entertainment and enjoyment from which nothing of significance can be learned. The arts in general, and the dance in particular, are regarded as peripheral, expendable, and of no great importance in education

NOT

S. I. McClean,B. W. Scotneyt. Although the evolution, developments and ambiguities of a postmodern stage dance aesthetic are well documented within dance scholarship (Copeland, 1986; Banes, 1987; Briginshaw, 1988; Manning, 1988; Mackrell, 1991; Daly, 1992), the relationship between postmodern dance and postmodernism within ot

抑制

S. K. M. Wongmages of film, television, videos, magazines, advertisements, computer graphics and electronic games bombard both public and private space. Within this visual landscape images have become the common currency As everyday spectators of this distinctive cultural existence, we are adept at reading the c