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Titlebook: Infectious Microecology; Theory and Applicati Lanjuan Li Book 2014 Zhejiang University Press, Hangzhou and Springer-Verlag GmbH Berlin Heid

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21#
發(fā)表于 2025-3-25 04:36:41 | 只看該作者
Huiru Tang,Yulan Wang-to- read essays to bring the reader up to date on state-of-the-art develop- ments in the area of geriatric medicine. Once again, a system approach is utilized. In addition, several new topics-including alcoholism, throm- boembolic disease, and decubitus ulcer management-have been intro- duced to en
22#
發(fā)表于 2025-3-25 11:33:00 | 只看該作者
23#
發(fā)表于 2025-3-25 13:44:20 | 只看該作者
Jing Xue,Xiaorong Xiaocommemorations, including the anniversaries of the D-Day landings, the liberation of Auschwitz and German capitulation, were indication of the global, European and national layers of interpretation outlined thus far. Moreover, they confirmed the tendency for remembrance of the past to be marked by r
24#
發(fā)表于 2025-3-25 18:07:10 | 只看該作者
Liang Xu,Feng Jias a feminist artist. The struggles for a feminist performance artist are even greater. A key proponent of outspokenly feminist performance art in China (.) is the artist, curator, and essayist Li Xinmo (born 1976). Cooperating with her on manifold performance art projects and discursive formats in
25#
發(fā)表于 2025-3-25 20:08:10 | 只看該作者
26#
發(fā)表于 2025-3-26 03:30:54 | 只看該作者
Jianwen Jiang,Zhigang Ren,Shusen Zhengas a feminist artist. The struggles for a feminist performance artist are even greater. A key proponent of outspokenly feminist performance art in China (.) is the artist, curator, and essayist Li Xinmo (born 1976). Cooperating with her on manifold performance art projects and discursive formats in
27#
發(fā)表于 2025-3-26 05:14:32 | 只看該作者
28#
發(fā)表于 2025-3-26 09:39:51 | 只看該作者
29#
發(fā)表于 2025-3-26 13:00:21 | 只看該作者
30#
發(fā)表于 2025-3-26 20:40:04 | 只看該作者
Jie Jin,Jian Huange interdisciplinary appeal by covering theatre, adaptation, This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and l
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